Like many cultural works that arrived during the early stages of the COVID-19 pandemic, She Dies Tomorrow tapped into the concerns and anxieties of the era entirely by accident. However, as you’d expect from the director behind meditative micro-noir Sun Don’t Shine, She Dies Tomorrow isn’t interested in splashy kills or franchise-spawning mythology. Following several glasses of wine, a blasting of Mozart’s “Requiem,” and a quick Google search for urns, it’s revealed to best friend Jane (Jane Adams) she’s resigned herself to a similar fate. Unsurprisingly, given Seimetz’s penchant for the enigmatic, She Dies Tomorrow doesn’t wrap up everything with a neat bow. She Dies Tomorrow could never be described as predictable.