It was called The Dig, and it might be the best example of a cozy sci-fi game ever. Like LucasArts’ 1992 game Indiana Jones and the Fate of Atlantis, The Dig is primarily a point-and-click game. LucasArtsThe player is encouraged to be methodical about the various alien puzzles, and though there’s a sense of menace lurking around every corner, it’s not stressful. This is the paradox of a cozy sci-fi game: It needs to be both original enough to entertain us, but slightly boring enough not to excite us too much. The synthesizer score from Michael Land is perfect for a moody sci-fi game that is basically about nothing and everything simultaneously.