The New York Times bestseller was a huge hit in the vein of the post-Gone Girl thriller, thanks to a shocking twist hidden in its latter half. When you first got attached to direct The Housemaid, was it originally the campy thriller that it came out to be? And if it's like Spy and it's a spy comedy, I still want to make a real spy movie. There's a nuclear bomb at stake, but the characters are all really extreme and kind of nutty. And then The Housemaid is the same kind of tension underneath, but I think the stakes are higher because it's abuse.