In a style that feels nostalgic and nascent, Bree O’Donnell is crafting her singular vision of a 3D witch named Mary. O’Donnell sat down with us to talk a bit about her process creating textures and her life’s work making magic real. I think there’s a visual aesthetic, but [also] emotional tether that demanded that direction with the look and the feel. I just want to see my character Mary waiting at the bus, just listening to music while I’m working. I also really, really want to get into live action.